Exclusive Interview with Munchi

Exclusive Forward/Slash Moombahton Diplo

Here at Forward/Slash we’re lucky enough to be able to ask Munchi a few questions. Arguably the biggest player in the moombahton scene, with his tracks being dropped all over the world by DJs from a range of different genres, Munchi is without a doubt the man to ask about all things moombahton! He’s promised Forward/Slash an exclusive give-away, so keep checking the blog in the next few days for that too!

What DJs/producers would you say to look out for? Any upcoming guys you know that are killing it?

There is so much talent out there at the moment, I really can’t pick out just one or two of them!

What attracted you to moombahton, was it simply the fusion of reggaeton and house which you were making at the time, and how did you hear about it originally?

At heart I’m a Reggeton producer and it killed me to see the direction it was going in. I always tried to combine all these different genres, and with Moombahton it was perfect. Here I could put together every influence of other genres and mash it all up together.

When i first heared it I was mindblown, Dave’s idea to slow Dutch House down and add Reggeton elements to it was simply genius, this was like Reggeton on some next level type of shit. So I immediately made 4 tracks that same night and put it out on the web, adding elements from Baile Funk, B-more, Drum & Bass, Dominican Dembow and of course Latin music.

You seem to have a massive production output, anything to say about that?

I just love to make a shitload of music man, and to see people actually enjoying it is the best thank you you can get.

Originally, most moombahton was given away free on Soundcloud, do you think it positively affected the development of the scene?

I’m Positive it did. I love free music. There should be more of it. Money talk and this and that interferes too much with creativity and innovation.

Are there any attributes of Moombahton you have issue with?

I don’t have an issue with nothing. People make what they feel to make and thats dope. Originals, remixes, edits, crossovers, you name it. I love it all.

What would you most like to change about the music industry, in your experience?

The way people think about music. It should be about having fun, creativity, innovation and things you can actually think of or learn from. Now its more about money, formulas, popularity, key people, wrong intentions and business shit. A lot of my favorite genres went down due to all of the above and its fucked up, but most people don’t seem to care about that at all.

What have been your top 5 moombahton tracks released so far?

Sandro Silva – Told Ya (DJ Melo’s Moombahton Edit)

Heartbreak – Grown Man Ish

Yeah Yeah Yeah’s – Heads Will Roll (Amac Moombahton Edit)

Nadastrom – Sabina

Benga & Coki – Night (DJ Sabo’s Edit)

What upcoming releases are you most excited about?

Here also dude. I love a lot of different types of music so I can go on for centuries!

Where do you see the genre going in the future?

I think it will expand, as in more variety. On the other side I think the latin crowd will get to it.. FUCKK YEEAAHHH!!

What do you use to produce, favourite DAW?

My shit: Acid Pro 5.0 !!!!!!!!!!!!!!!!!!!!!!!!!!!!

Any production advice for young producers making Moombahton?

Just use what you’re comfortable with and keep trying new shit. There are no barriers.

Check out more of Munchi’s stuff on his Soundcloud:

or catch him on Twitter:



Exclusive interview with Black Van

Yearning Four Four Letter Forward/Slash

The Glass – Four Four Letter (Black Van Remix)

Black Van, the coming together of two well respected electronic producers, Kris Menace & KoweSix has completely blown up in the year they’ve been around. Their releases have made it into most 2010 polls, and well deservedly. Lucky for me, a got a chance to ask them a few questions!

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Exclusive Interview with Faisal

The young Belgian that is Faisal, is one of the most exciting young producers at the moment. His remix of Soulwax’s hit E-Talking was huge, and he followed it up with a monster remix of Erol Alkan and Boys Noize’s Death Suite, which I think I’ve played in nearly every set since I heard it. So, I’m pretty excited to have this exclusive interview with the wonderboy.

Hey man, so good to chat with you. First off, you said you had some new releases coming up, could you tell me a bit about them?

Well, my remix for Shameboy’s latest single Battery Acid just got released on East Records (sublabel of N.E.W.S.). Next up hopefully is a remix for The Sneekers and I’m currently working on a remix for Serial Chillers new project called Bongo.

Sick. Looking forward to them! Your first release was back in April right, how long before that had you been producing?

Well I’ve been producing for a pretty long time (from when I was
about 14 years old) but mostly hip-hop mashups (some beats and pasting the
acapella of one track over the instrumental of another, that kinda
stuff), I think i’m producing electronic dance music for about 2 years

You’ve done pretty well in those 2 years! For the tech nerds, what is your production set-up? Favourite DAW?

My favourite DAW just recently changed from FL to Logic. I’ve made
all my tracks and remixes in FL up to here but I’m making the big
change soon because I’m starting to feel more comfortable in Logic now
and I find it much more flexible. Maybe I’ll do it like Benga and
combine the 2. In Logic I use a lot of the built in synths but in FL I
like to use the TAL series plugins (they’re free), Samplemoog and NI
Massive. For drums I just sample other records and I downloaded this
pack with all drumcomputers ever made, very useful. I also first make
almost the entire track in one pattern before I start structuring it,
gets quite hectic at times.

Those TAL plug-ins are some of the best free plug-ins around alright. A quick search on Hype Machine will tell you that since your E-Talking remix you’ve blown up during the year. Has much changed for you, or are things still the same as the were before you got noticed?

Things pretty much stayed the same, I get a few more gigs and a
shitload of remix requests but I i can’t finish them all, which sucks
because I like remixing. It did give me the courage to start a musical
education though. I’m now learning to work with Logic in school and
learning about mastering and recording techniques, all very
interesting! Keatch (from Keatchen records) and Bongo (Monkey See
Monkey Do records) are 2 of my teachers! Keatch is a living
encyclopedia of synthesis and hardware. Great to have them as teachers

Aside from your own obviously, what upcoming releases are you most excited about?

I’m waiting for that new Zombie Nation coming out 8th November!
Also excited for the new Shadow Dancer.

Two big releases alright! What, let’s say 5, releases have been your favourite this year?

There’ve been so many good releases!
in no particular order:
Dam Funk – Adolescent Funk
Boys Noize – 1010 / Yeah
Screendeath – Packback EP
Mount Kimbie – Mayor
Girl Unit – Wut

Thanks! Finally, have you got anything to give away to the readers?

I’m working on some new funky edits so I’ll pass you those as soon
as they’re finished! Until then I can give you a remix of an infamous Boys Noize track,
hope that’s cool!

Of course it is man, nice track! Looking forward to hearing more from you again! Thanks again for chatting!

Boys Noize – LL (Faisal Remix)

You can follow Faisal on Twitter here, check out his Soundcloud here, and read his posts for the wonderful Truants blog here.